By REBECCA SPARROW
In April 2003 I was a little bit smug.
My first novel had been published to universally glowing reviews and I took great delight in telling anyone who would listen that I was an author. (A fact that my chemist seemed somewhat non-plussed about frankly…)
My days were spent loitering around bookstores trying desperately hard to look like my author photo and indulging in brief stints of author espionage (read: putting copies of my book in front of The Da Vinci Code. And in a sheer moment of desperation The South Beach Diet).
It was an incredibly thrilling time in my life and I didn’t think anything could possibly burst my author bubble of happiness.
Until something did.
You see, I thought, when I wrote The Girl Most Likely that I’d written a comedy. A comedy about a twenty-seven year old woman trying to find her place in the world. A story inspired by my very own quarter-life crisis that involved plenty of humour but also (I hoped) plenty of heart. A story about career expectations. Self-identity. Friendships. Loss. And yes, love.
But that’s not what I wrote, apparently.
Nope. What I actually wrote was ‘chick-lit’. The cutesy name of a new genre encompassing any work of fiction written by women about the contemporary lives of young women. A genre, which quickly became a derisive slur.
Top Comments
Slightly late to the party, but great article. It got me blogging anyway...
http://carolynjdonovan.blog...
current fave blog is http://www.transformmagazin... all about events! god I love cupcakes.