There’s an art to writing a good card.
And my mum is terrific at it. She delivers just the right measure of wit, nuance, and warmth. Her cards never fail to leave to an impression or elicit a smile. They are all keepers. Written in beautiful cursive handwriting, there’s not a trace of soppy Hallmark sentiment among them, but rather, sophisticated and clever prose.
I haven’t inherited her handwriting, but I like to think I’ve inherited her ability to write a decent card. She always said, “If you’re going to write something, make it count, or don’t bother at all.”
And I have followed this advice. While letter writing may be a casualty of our digital age, there’s always occasion to write a card.
A few years ago I had to write my first “goodbye” card to a dear family friend who was dying at the age of 39. A text message came through from my sister saying the end was imminent. I remember her words clearly. “If you’re planning on sending a letter or card, now’s the time.” I went straight to my local newsagent.
But there’s no greeting card section for someone who is dying. Birthdays, weddings, babies, naturally. In sympathy? Yes. Get well soon? Plenty. But a card for someone who is sick and not going to get better? Nowhere to be found.
I was paralysed with indecision. Amid hundreds of cards, none seemed even remotely suitable. Nestled amongst the sea of celebratory cards was a small section of condolence cards, but this was not a bereavement situation; not yet.
Even in the blank card section, the choices weren’t satisfactory. Most cards were too cheery, too optimistic, not at all appropriate in the absence of hope. Being a chronic over-thinker and poor decision-maker at the best of times, this made for an almost impossible situation. After 45 minutes of deliberation I chose an abstract landscape card. It felt safe.