Warning: This article contains MANY spoilers for The Handmaid’s Tale season three, episode 12, Sacrifice. If you’re not caught up yet, bookmark us and come back once you’re ready to properly debrief. Ready? Let’s go!
After a week of pacing back and forth, with clenched fists, muttering “Commander Waterford, you have now crossed into Canada. We are arresting you for war crimes…” under our breath, we finally made it to the penultimate episode of The Handmaid’s Tale season 3.
And there’s a lot going on.
Elizabeth Moss explains June’s decision to leave Eleanor. Post continues after video.
To recap:
- Sweet Eleanor Lawrence nearly gave away the plan multiple times, believed she was a liability and took her own life
- Rita is an angel
- Fred Waterford’s ego is immortal and not even discovering his wife got him arrested as a war criminal can make him look long and hard at his life choices
- Fred and Serena are being held
at a Scandi wellness retreatin cells that are nicer than my apartment - Luke punched Fred in the face and it was beautiful
- Moira, a social worker and a crying baby crushed Serena’s soul
Top Comments
I was looking for the names of the tracks in these episode because some of them sounded familiar... Turns out they used 2 tracks from previous episodes and I'm sure it's not a coincidence. When June is on her way to loaves and fishes, the soundtrack ('Applause for a Refugee' by Adam Taylor) is the same used when Emily walks through that hall after getting to Canada and everyone applauds. Both women walking after a hard-won victory. The second one is when June asks permission to Aunt Lydia to go talk to Lawrence and she walks towards him, they play the same track ('Come Get Me' by Adam Taylor) used on second season when June has to fire a rifle before she gives birth to Holly, so someone finds her. A birth and a death.