Mortal Engines, the newly released blockbuster from Peter Jackson, could best be described as a post-apocalyptic action film with a very welcome twist.
The movie, based on the best-selling book of the same name, focuses on a futuristic, steampunk version of London, which is now a giant machine striving to survive in a world that is running out of resources.
The action kicks off when Tom (Robert Sheehan), a Londoner who has never stepped foot outside of his travelling hometown, gets his first taste of the outside world when he attempts to stop masked assassin Hester Shaw (Hera Hilmar) from killing Thaddeus Valentine (Hugo Weaving), a powerful London man she blames for her mother’s murder.
The twist in this story is that, unlike many other big-screen blockbusters, many from Jackson himself, the film is predominately led by smart, powerful and intricately written female characters.
There is Hester Shaw, who along with being the film’s heroine in a world where resources are low, people are at war and smaller cities are being swallowed up by bigger ones, also has a series of scars across her face. It’s an incredibly welcome change to see on the big screen, especially in a time when there is an immense push to end the trope of movie villains being the only ones to have facial differences.
Mortal Engines also features Anna Fang (played by Jihae), a badass pilot and leader of the Anti-Traction League, a resistance group banding against the moving cities devouring Earth’s resources.
Rounding out the trio is Katherine Valentine (played by Leila George), the whip-smart daughter of Thaddeus Valentine and one of London’s elite. She’s a young woman who begins to piece together the sinister situation happening behind-the-scene of London’s welcoming facade.