For many die-hard Harry Potter fans, Fantastic Beasts: The Crimes of Grindelwald was always going to feel more Muggle than magic.
Just like its predecessor, the 2016 flick Fantastic Beasts and Where to Find Them, The Crimes of Grindelwald is an expansion of the beloved wizarding world established in print by J.K. Rowling.
It’s a connection that has always been the biggest draw-card for the newly launched prequel film franchise, while at the same time acting as its biggest burden.
If you walked into The Crimes of Grindelwald expecting it to play out like a classic Potter film, chances are high that after the credits had rolled you would exit the cinema with disappointment pooling around you like a poorly refrigerated choc top.
However, if like me who walked into the film with very low expectations and viewed it as a separate entity to the books you loved and the previous movies you had seen, you may have been very pleasantly surprised.
This next statement is something that I’ve been unable to say out loud since I saw the movie, for fear of zealous retribution from rabid Potter fans who surely sleep with Quidditch brooms beside their beds and are not afraid to use them for physical violence, but Fantastic Beasts: The Crimes of Grindelwald is an excellent film… and perhaps the best entry yet into the Harry Potter cinematic universe.
The events of the movie take place in 1927, when returning hero Newt Scamander (Eddie Redmayne) and his ever expanding suitcase of magical creatures, is asked by Professor Albus Dumbledore (Jude Law) to travel to Paris and prevent the the dark wizard Grindelwald from bringing Credence Barebone (Ezra Miller) over to his side and into a world of wizards who believe they should have dominance over Muggles (refereed to in this new set of films as “No-Majs”).
Top Comments
This was one of the worst movies I’ve seen in years... it’s incredibly boring, nothing happens and the references to the original series are belaboured and superfluous. I totally disagree about the female characters, not only are all the important and powerful characters male, the women just waft about being moody and beautiful and are ultimately all sacrifices for the men to advance. When I learned writing we were taught that the story has to end somewhere different than where you start... literally the only important parts of this film happen in the first two minutes and the last two, nothing else changes or develops at all.
I’m still annoyed that they replaced Colin Farrell with Johnny Depp. Surely there was a way to do it without changing the actor. Quite keen to see this one though, you’re right about the difference between a movie where you’ve already read the book, and one where you haven’t.