What it’s really like to give up your big career dream once and for all.
When I finished year 12, I headed off to arts school to study musical theatre. I had a dream: I was going to be the next (significantly shorter) Rhonda Burchmore.
After completing a three-year musical theatre course, I started auditioning for professional shows. Month after month, year after year, I stuck a number on my chest and bared my soul to a panel of strangers while I nervously tried to hit the impressive notes.
But at a Cats audition I was told I was “too heavy” despite starving myself down to a size 10. After elbowing my way to a callback for The Producers, I was told I was “too short for a Pretzel girl”.
With every rejection, my confidence diminished until I started resenting what I once loved. I started dreading auditions, and headed down the road of self sabotage.
It all came to a head when, the night before my Phantom of the Opera audition, I drank mojitos with mates until 3am and ended up croaking and sweating my way through a heinous rendition of “Unusual Way” from Nine (as a side note, that was the night I met my now-husband, so it was totally worth it).
Related: A contestant sang a Delta song on The Voice. Delta didn’t turn around.
Eventually, I had to face up to the fact that I was good but good wasn’t enough.
You can fairy floss it as much as you like, but life is too long to battle against reality.
So as I approached 30, I decided it was time to pop my tap shoes in the hobby box. And while I thought I would feel sad, instead I felt the most liberating sense of relief.
That hard little nugget of dread that had taken up residence in my stomach was gone. I was free to start again. I could eat carbs without worrying about looking bloated in Lycra.
Top Comments
My girls have so many friends who spend hours each week at dance classes. All hoping they will make it. Nearly all of them won't. Maybe one rare one will but that's the reality. I wish their parents would take the blinkers off and be honest with their beautiful smart daughters. They're good but their dance school are selling them a future they very likely won't achieve. Afterall, dance schools are just businesses, they're just trying to make money.
I actually find shows like The Voice, where they tell almost everyone that they're amazing and there gonna be stars, more offensive than some of the old talent shows that would laugh at people, telling them they were hopeless and to forget show busines.
"On the treadmill to sad-town" Holy shit. I love that line so much.